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A Walk Into Abstracts
Aren’t you curious how artists do what they do and might want to try it? People need to know what it feels like to make a painting that way. The reason people want to read how abstract artists make their paintings is so they can try to do it, but differently.
Showing posts with label Still. Show all posts
Showing posts with label Still. Show all posts

Monday, May 9, 2011

How to paint still life or Apple fruit

Even if the result of the painting is not your first request, all artists must at least try. Painting of still life is a great way of shading and color mixing.

When you are painting dead, is a good idea first cover your canvas with paint before hand and let it dry completely. Color, use is really you. This will be the background so do so interesting. I like the abstract view with long random strokes type. I have recommended color raw sienna or orange with the Centre of the most brilliant canvas. Cheap brand is used for this purpose.

Implement your natures of fruits. Work of a photo is fine, but you will get a true shades and reflections of real life. Now about sketches in the bays. Start noticing the fruit of the pieces that are capturing light. Also seems closely and colors that you see. If you look close, you'll see purples in apples, green and Brown in bananas and even Blues in reflected light. You are not ready for them in the image yet, but you must be familiar with all these things. Please take your time and get a precise sketch. Similarly, you can choose to make some rearrangement.

You are now ready to paint. The image is the first layer. If you are colour apples red, select dark red colour and fill the whole fruit. Each article in this way may be.

Will begin to add nuances. Decide where the dark areas of the fruit and with a clean brush painting don't worry v. to mix or making it seem real yet. Dark areas will be the base of the country, which is outside of the light source. If you have darker hues that real fruit not to worry, this is likely to make the most spectacular image.

You are now ready to add the lighter values. Take the original colour of the fruit that you used and it relieve a bit of white. Now you have a color. With clean and the smallest brush began implementation of illumination while blending the foreground and shadow.

The last steps must take more small brushes and add some accents even more brilliant in places which are sparkling with reflected light. You can exaggerate the shadows and dark areas also. Rear seat and navigate your image. You will be surprised by how few small details will bring live piece. For example, these small dark edges of bananas and apples stem. Be sure to not do so well. Have fun and don't forget to sign your image.

Saturday, April 23, 2011

How to paint the background of texture which is ideal for the natûrmorti and portrait

Photo in media landscapes is quite simple. However, when painting still life and portraits background is often a source of concern. Photo in media is a common problem. This article is to use the cheesecloth for the slightly textured background.

These techniques for background will normally be painted before the main part of the image.

How to paint the background of texture using gauze

I like the background of the image, to have a certain texture or delicate colour. This has two advantages.

First by dividing the flat bottom is more interesting photo.

Second if smudge you for a large part of the image is much easier to set the background. When the bottom is flat color, all the background you will need to be painted. With textured background you can touch some areas without the need of repainting the background (often!).

The use of the Stamen is easy

For a background texture interesting, you can use the cheesecloth or chiffon. This technique can be as effective with sailing and lace fabrics. Try experimenting with independent freely have tissues.

Use the fabric as indigov

Start your painting surface spray with water and then place your fabric.

Then wash or use a sponge to apply paint thinned on the fabric. Try not to use too watery painting or it will perform below and you will not get the texture. If this occurs simply everything dry with paper towel and then try again.

Let the paint dry for approximately 10 to 15 minutes (depending on conditions) and then remove the fabric front of painting a completely dry. Printing of the fabric will remain on the merits of drawing.

You can also use the fabric for printing

Another way to use fabrics is to paint the background, and then press the fabric in the surface painted for another type.

In this case, the fabric absorb part of the painting, thicker and thinner, areas to provide a texture.

When I paint in the background

When I painted pet portraits have I found the easiest is to draw in the form of pet portrait and then painted in the background. When using the canvas stretched I also paint the walls of this step.

In this way, can leave most of the remains portrait painted. really textured background painted dense portrait it otherwise.

Then towards the end of the image, I details any context of the areas that need it, and finally some skins painted over the background painting. This small mixtures of these two areas and added to the structure of fur-bearing animals.

It will work also with flowers or other objects that are the main focus of your photo.

Abstract themes

These techniques will be work well for abstract images of painting also. However, in the abstract images, these techniques can be used at each stage. They will be convenient for use after the entire image has been painted to add some additional interest. Then, you can only define areas to be presented.

I.e., painted most of graphic, apply a texture and then highlight some areas after having dried texture. These areas highlight will be a good place to use some acrylic medium to give or glossy finish, or perhaps metal accents.

I hope that you find it useful. There is no good way to paint, just different ideas in order to achieve the appearance you want.